LITTLE BROTHER TO THE COLOUR BOX The JHS Pedals Colour Box began with a simple idea: create a pedal that sounds like plugging directly into a vintage preamp and cranking it. No amp, no speaker, just DI goodness. Well, the Colour Box became much more...

ABASI - PATHOS OVERDRIVE/DISTORTION PEDAL The Abasi Pathos presents an impassioned appeal to the varied sonic needs of the modern guitarist. Designed to retain the feel of an American-style tube amp channel, its versatility is derived from the...

PINNACLE STANDARD We all know that the distinguished tone chaser sometimes needs extreme gain, sometimes needs mild overdrive… sometimes needs something that does both of the above and everything in between. The Pinnacle not only does that,...

The Bogner Burnley V2 pedal delivers a range of tones from hot crunch to high-gain annihilation – with added tonal magnitude thanks to a custom audio transformer worthy of high-end studio gear.  The V2 version has...

The Royal Jelly is an overdrive/fuzz blender like no other pedal. It can cover any ground from overdrive to fuzz, running two circuits in parallel and giving you the possibility of blending it or having them separately. It also has two presets of...

Monarch Pedals – effects pedals for guitar and bass designed and handmade in Auckland, New Zealand.  “We make original circuit effects pedals that make playing the guitar more fun, more inspiring, and make you want to play that little...

The Muff Bender is a modified Big Muff and Supa Tone Bender in one. The clipping switch gives you asymmetrical silicon clipping (more compressed, less headroom) and blue LED clipping (less compressed, more headroom) and the mode switch toggles between...

The Violet Distortion is a new take on distortion/overdrive brought to you from the collaborative minds of Josh Scott and highly influential Brazilian guitarist Lari Basilio! Using this pedal is like adding a new and ultra-flexible distortion channel...

THE LOW OCTAVE BEEAST What's better than fuzz? Low Octave fuzz. What's better than one low octave? Two low octaves. The Whoctahell v2 is a reimagined take on Beetronics’ very first pedal, now more versatile, compact, and...

The Wampler Mofetta Overdrive/Distortion is Brian Wampler's tribute to the MOSFET-driven magic of a 1990s classic — the MT10 MOSTORTION. A mainstay of countless top session players, the Mofetta honors the soul of that elusive yet classic circuit...

Ampero amp modeler & effects processor is a game changer. Its heart pounding amp modeling and uber quality effects are powered by the new-gen CDCM HD (Comprehensive Dynamic Circuit Modeling High Definition) and F.I.R.E. (Field Impulse Response...

FEATURES ✪ The popular amp modeler & effects processor in a smaller case ✪ New-gen CDCM & F.I.R.E. modeling system ensures high end tonal expressiveness and realistic playing experience ✪ Powerful dual DSP-powered platform...

The Nectar "Tone Sweetener" strikes a perfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs...

What was initially a limited model, the Hephaestus Variable Voltage Fuzz is now a standard model in mini form! Sometimes you don’t know where a circuit will take you, such is the story with the Hephaestus. This fuzz box started life as the now...

1967 BOSS TONE REPLICA In the mid-’60s, the world’s first nuclear company, Victoreen Instruments, launched Jordan Electronics. They started out manufacturing transistorized guitar amps and debuted the first commercially successful U.S. based...

1969 KAY FUZZ TONE REPLICA Kay Musical Instruments was founded by Henry “Kay” Kuhrmeyer on July 1, 1931. Although Henry quickly shifted production focus to all types of stringed instruments (including basses, violas and guitars), they...

1973 FRESH FUZZ REPLICA In 1973, effects legend Craig Anderton and John Lang launched Seamoon Inc., releasing their flagship fuzz pedal the same year: the Fresh Fuzz. Initially, a fragile plastic enclosure design caused these Bakelite pedals to shatter...

Muffuletta (Distortion / Fuzz) In 1967 the legendary Mike Matthews started experimenting with circuits for the electric guitar, and by early 1969 he had created a circuit that has become one of the most legendary, collected and mythical pedals...

Zonk Machine MKI This pedal is a detailed replica of the original John Hornby Skewes Zonk Machine MKI pedal produced in Leeds England in 1965 – 1966. The Zonk Machine is similar to the original Gary Hurst MK I Tone Bender that...

BPC MKI Tone Bender The BPC MKI Tone Bender is a detailed replica of the original 1965 Metal Case  Tone Bender pedal created by Gary Hurst in London, England. The BPC MKI features the same transistor specification as the...

Buzzaround This is a detailed replica of the original 1965 Burns Buzzaround pedal that to many is the HOLY GRAIL OF EFFECTS. The Buzzaround is a unique fuzz which utilised  3 x NKT213 transistors and for the first time offered a timbre...

BPC Shatterbox The BPC Shatterbox is a detailed replica to the Original John Hornby Skewes Shatterbox Produced in Leeds circa 1966, the unit combines two effects; The JHS Zonk fuzz and a Treble Booster circuit, the original unit was...

BPC Compact Series Zonk Machine MKI This pedal is based on the original John Hornby Skewes Zonk Machine MKI pedal produced in Leeds, England, in 1965 – 1966. The Zonk machine is tonally similar to the MKI Tone Bender offering Driven Fuzz tones...

When it comes to tight, high-gain tones that retain amp-like response and clarity, nothing beats the Bogner Ecstasy Red overdrive. In fact, the only way Bogner could think to improve on our original design was to make the pedal size a more pedalboard...