The Nectar "Tone Sweetener" strikes a perfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs...

Introducing the Octahive v2, one of our legendary bees that has been buzzing since day one! This pedal draws inspiration from the iconic '70s octave pedals, blending vintagetones with modern enhancements. In BUZZZ mode, prepare to unleash a...

What was initially a limited model, the Hephaestus Variable Voltage Fuzz is now a standard model in mini form! Sometimes you don’t know where a circuit will take you, such is the story with the Hephaestus. This fuzz box started life as the now...

1967 BOSS TONE REPLICA In the mid-’60s, the world’s first nuclear company, Victoreen Instruments, launched Jordan Electronics. They started out manufacturing transistorized guitar amps and debuted the first commercially successful U.S. based...

1969 KAY FUZZ TONE REPLICA Kay Musical Instruments was founded by Henry “Kay” Kuhrmeyer on July 1, 1931. Although Henry quickly shifted production focus to all types of stringed instruments (including basses, violas and guitars), they...

1973 FRESH FUZZ REPLICA In 1973, effects legend Craig Anderton and John Lang launched Seamoon Inc., releasing their flagship fuzz pedal the same year: the Fresh Fuzz. Initially, a fragile plastic enclosure design caused these Bakelite pedals to shatter...

BPC Compact Series Zonk Machine MKI This pedal is based on the original John Hornby Skewes Zonk Machine MKI pedal produced in Leeds, England, in 1965 – 1966. The Zonk machine is tonally similar to the MKI Tone Bender offering Driven Fuzz tones...

When it comes to tight, high-gain tones that retain amp-like response and clarity, nothing beats the Bogner Ecstasy Red overdrive. In fact, the only way Bogner could think to improve on our original design was to make the pedal size a more pedalboard...

The Bogner Burnley V2 pedal delivers a range of tones from hot crunch to high-gain annihilation – with added tonal magnitude thanks to a custom audio transformer worthy of high-end studio gear.  The V2 version has...