A Perfect Solution For Epic Guitar Tone without an Amp The complexity of an amp modeler can feel overwhelming when all you want is awesome tone and feel that is easy to control. You want your guitar’s sound to be as versatile and unique as you are...

Charlie Brown V4 (Overdrive)   If you’ve ever heard an original Marshall JTM45 than you know why it’s the voice of classic rock & roll. The classic JTM45’s are loaded with warm, rich character that makes a Stratocaster...

“The beauty in this pedal is how it morphs seamlessly between so many great fuzz tones” I love a good fuzz pedal. There’s just something about how they transform your guitar's sound, and each one does it in its own way. A Fuzz Face...

Foolproof, player-friendly fuzz tones that won't get lost in the mix ABOUT If you’ve ever wanted to fall in love with fuzz but find this type of pedal hard to use in practice, then the Focus Fuzz Silicon is for you! Extremely player-friendly and...

MADISON CUNNINGHAM SIGNATURE VIBRATO When Madison recorded her second full-length album, Who You Are Now, her producer Tyler Chester was already in contact with us about getting a few modulation pedals to develop her new foundational sound...

PREAMP / EQ In early 1984 BOSS released two strange new devices under the name “The Pocket Series”. One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2 used it on...

LITTLE BROTHER TO THE COLOUR BOX The JHS Pedals Colour Box began with a simple idea: create a pedal that sounds like plugging directly into a vintage preamp and cranking it. No amp, no speaker, just DI goodness. Well, the Colour Box became much more...

ABASI - PATHOS OVERDRIVE/DISTORTION PEDAL The Abasi Pathos presents an impassioned appeal to the varied sonic needs of the modern guitarist. Designed to retain the feel of an American-style tube amp channel, its versatility is derived from the...

PINNACLE STANDARD We all know that the distinguished tone chaser sometimes needs extreme gain, sometimes needs mild overdrive… sometimes needs something that does both of the above and everything in between. The Pinnacle not only does that,...

Delivering classic low gain growl to rich modern scorch, the BognerWessex V2 overdrive pedal gets its extraordinary dimensional range from a custom transformer. Whether you want to give your clean amp some muscle or juice up your vintage...

The Fatbee packs the fattest Overdrive tones on the smallest Bee yet. The first pedal on our Babee Series is a fully original Overdrive circuit designed in collaboration with the legendary pedal designer Howard Davis. A JFET drive like no other, breaks...

The Overhive is an extremely versatile medium gain overdrive. It’s round and warm tone respects your amp, enhancing it’s best qualities while dynamically reacting to your playing. This pedal achieves the elusive mid-gain overdrive...

The Swarm is an Analog Fuzz Harmonizer that sounds like a thousand killer bees coming to get you! It basically turns your input signal into a square wave, than multiplies and divides the frequency of that wave, giving you nine possible...

The Royal Jelly is an overdrive/fuzz blender like no other pedal. It can cover any ground from overdrive to fuzz, running two circuits in parallel and giving you the possibility of blending it or having them separately. It also has two presets of...

Wampler's relationship with Brad Paisley goes back to a time way before his original signature Paisley Drive pedal....  in fact, thanks to the way it produced similar tones to the lauded Nobels ODR-S with more control for fine-tuning his sound,...

THE MORPHING PHASER Bee ready to enter a new phase. The Morphing Phase. Meet the LARVA Morphing Phaser. A 6-stage analog phaser, vibee and preamp with morphing capabilities. It features two independent phaser settings, allowing...

THE LOW OCTAVE BEEAST What's better than fuzz? Low Octave fuzz. What's better than one low octave? Two low octaves. The Whoctahell v2 is a reimagined take on Beetronics’ very first pedal, now more versatile, compact, and...

To give it its full name, the Jesus Mary & Joseph! An update to the collaboration between Mythos and RJ Ronquillo! In early 2019, RJ and Zach began tossing ideas around for a unique drive / echo pedal and the SusMaryOsep! was born. What does...

The Wampler Mofetta Overdrive/Distortion is Brian Wampler's tribute to the MOSFET-driven magic of a 1990s classic — the MT10 MOSTORTION. A mainstay of countless top session players, the Mofetta honors the soul of that elusive yet classic circuit...

The Nectar "Tone Sweetener" strikes a perfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs...

1967 BOSS TONE REPLICA In the mid-’60s, the world’s first nuclear company, Victoreen Instruments, launched Jordan Electronics. They started out manufacturing transistorized guitar amps and debuted the first commercially successful U.S. based...

1969 KAY FUZZ TONE REPLICA Kay Musical Instruments was founded by Henry “Kay” Kuhrmeyer on July 1, 1931. Although Henry quickly shifted production focus to all types of stringed instruments (including basses, violas and guitars), they...

1973 FRESH FUZZ REPLICA In 1973, effects legend Craig Anderton and John Lang launched Seamoon Inc., releasing their flagship fuzz pedal the same year: the Fresh Fuzz. Initially, a fragile plastic enclosure design caused these Bakelite pedals to shatter...

Muffuletta (Distortion / Fuzz) In 1967 the legendary Mike Matthews started experimenting with circuits for the electric guitar, and by early 1969 he had created a circuit that has become one of the most legendary, collected and mythical pedals...